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Soft Cell's Creative Genius Dave Ball Dies, at the Age of 66

Dave Ball and Marc Almond of Soft Cell
Dave Ball (left) created Soft Cell alongside Marc Almond in Leeds in 1977

The talented musician, a key member of the pioneering 1980s synth-pop duo Soft Cell, has died at the age of 66.

Together with singer Marc Almond, the duo scored a global success with their version of Gloria Jones' Tainted Love in the mid-80s, and their debut album their initial full-length release is regarded as a seminal work of electronic music.

He subsequently founded the pioneering techno group The Grid, who achieved chart success with 1994's the hit Swamp Thing.

Ball passed away calmly in his rest at his home in London on Wednesday 22 October, just weeks after performing a headline show with Soft Cell at the Rewind music event in the Thames-side town.

Health Struggles

During that show, Ball performed in a mobility chair, as he had for the last two years, following a period of health issues.

"I managed to damage myself significantly," he commented in 2023. "I fractured spinal bones in my back and fractured about multiple ribs and broke my wrist."

After catching pneumonia and developing blood poisoning, he was placed in an medically-induced sleep and stayed in hospital for half a year.

Nevertheless, he had been in "a great place emotionally" over the warmer months, as he worked on a fresh record with Almond, called the upcoming Danceteria, which is scheduled for release next year.

"He was focused and so happy with the latest project that we literally completed only a few days ago," stated the singer in a tribute.
"It's truly heartbreaking as next year was all set to be such an uplifting time for him, and I find comfort from the knowledge that he heard the finished record and believed that it was a great piece of work."
Soft Cell performing in the early 1980s
The band were at the forefront of the electronic music scene in the early 1980s

Tributes

Almond described his bandmate as "a wonderfully brilliant musical genius", stating: "He was the core essence of Soft Cell and I'm extremely pleased of our legacy.

"Thank you Dave for being an immense part of my life and for the music you gave me. I wouldn't be where I am without you."

Richard Norris from The Grid, also paid tribute, remembering Ball's "endless laughter" and "unwavering friendship".

"Forming a partnership with someone is different from being in a group, the connection is incredibly close," he added.
"That was the case with us. We went through so many remarkable, incredible, memorable moments as a team. Many thanks, Dave."
Dave Ball in 2018
Dave Ball, photographed at a radio station in 2018

Formative Years

Brought into the world into a single-parent household in the city of Chester in 1959, Ball was put up for adoption when he was 18 months of age.

He was raised in Blackpool with his new family Donald and Brenda Ball, who changed his first name from his birth name to his adopted name, alongside his sibling his sister, who was similarly welcomed.

He met Almond at Leeds Polytechnic in 1977, where they were both learning fine arts. Fuelled by a shared love of a music genre, they established Soft Cell the very year, and promptly produced an EP.

Creative Collaboration

The duo were an distinctive pairing: Ball was the reserved musician, bent over his synthesizer, while Almond was a charismatic performer, all sparkle and makeup; but they attained a rare creative synergy.

Ball had developed a interest with electronic instruments after viewing the band Kraftwerk perform on a television program Tomorrow's World, and started to marry moody electronic sounds to the soaring melodies Almond was composing.

Their signature song became the UK's second most popular single of the early 80s, shifting millions of copies worldwide. Together with hits by other artists, contemporary bands and Ultravox, it helped cleared the path for the electronic music style of the 80s.

The track was also included on their full-length debut, their initial LP, which spawned two additional top five hits: Bedsitter and Say Hello, Wave Goodbye.

They continued the album up with the stand-alone single, Torch, which reached at the second position in 1982.

Soft Cell in the studio
The pair were working on new material right up until Ball's death

Professional Journey

Success had its upsides. "I enjoyed being able to purchase my initial property, having money and exploring, which might seem like a Miss World," Ball recently told with a music magazine.

But it also presented challenges. "Sudden riches meant we could afford substances to relieve the monotony" of media interviews and TV performances, Ball said.

"I know that's a common saying, but it's a truism for a good reason, because it applies for so many musicians."

During the party-filled existence, the duo were also drifting apart, but they managed to produce a second memorable record - the wayward, edgy and fittingly named The Art Of Falling Apart.

They released one more LP, 1984's This Last Night In Sodom, before ending the group to focus on individual endeavors.

Almond went on to have a successful solo career, featuring the chart-topping single Something's Got A Hold Of My Heart; while Ball created The Grid, who combined acid house with ambient pop over a enduring collaboration.

Reunions and Final Projects

Soft Cell reunited in the early 2000s, releasing the charting record Cruelty Without Beauty.

Following a further hiatus, they reappeared in recent years, issuing the original singles Northern Lights and Guilty (Cos I Say You Are) before staging what was supposed to be a final performance at the large venue on September 30, 2018.

However, they remained together, creating their fifth album, Happiness Not Included, during the 2020 restrictions.

Ball lately described the band's upcoming release as a homage to the NYC nightlife they visited while recording their first two albums.

He added that his period in medical care had influenced the group's music.

"I experienced unusual memories when I was in and out of the hospital because I was on pain medication," he explained to a music magazine.
"The new songs are a electronic representation of the noises in my mind from that time.
"In parallel, it's about the experiences me and Marc got up to in the 1980s."

The final mixes were finished only a short time before Ball died. It is due for release in the spring of 2026.

Written by

Kayla Burns

A historian specializing in European royalty, with a passion for uncovering untold stories and modern royal dynamics.

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